These high performance connectors provide a clean connection point for wired electronics to wall outlets allowing cables to be hidden within the walls or cabinetry. They provide for superior signal quality with minimal noise for component or
Composite Video and audio systems. The
RCA modular connectors come in various termination styles, RCA to coaxial F-connector, RCA to RCA, RCA to IDC (over UTP cable) and RCA to RG6/59 cable via a compression connector. They are available with six insulator colors red, green, blue, black, white, and yellow and come in four body colors almond, black, ivory, and white allowing maximum customization options. They are fully compatible with all ICC's modular faceplates and multi-media panels.
Composite video is the format of an analog television (picture only) signal before it is combined with a sound signal and modulated onto an RF carrier. Composite video is often designated by the CVBS acronym, meaning any of "Color, Video, Blank and Sync", "Composite Video Baseband Signal", "Composite Video Burst Signal", or "Composite Video with Burst and Sync". It is usually in a standard format such as NTSC, PAL, or SECAM. It is a composite of three source signals called Y, U and V (together referred to as YUV) with sync pulses. Y represents the brightness or luminance of the picture and includes synchronizing pulses, so that by itself it could be displayed as a monochrome picture. U and V represent hue and saturation or chrominance, between them they carry the color information. They are first mixed with two orthogonal phases of a color carrier signal to form a signal called the chrominance. Y and UV are then combined. Since Y is a baseband signal and UV has been mixed with a carrier, this addition is equivalent to frequency-division multiplexing.
An RCA jack, also referred to as a phono connector or Cinch connector, is a type of electrical connector that is commonly used in the audio/video market. The name "RCA" derives from the Radio Corporation of America, which introduced the design by the early 1940s to allow mono phonograph players to be connected to amplifiers.
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